“Extreme. A modern room, which will not be to everyone’s taste.” This is how the architecture critic Adolf Behne described a scene staged and photographed by architect Hannes Meyer in 1926. "Co-op Interieur," as it was called, pictured a sparse living space equipped with a gramophone, two chairs, and a shelf. A universal dwelling free from limiting conventions of domesticity and ownership. Today, this surrogate image reminds us that as much as a home is for living, it's also a manifesto — a mirror that reflects our own values back to us.
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#CalderaLTable
by @johnastburystudio & @kyuhyung.cho
#CleoChair
by @stineaas